I’ve tried writing this piece about the Sound Swarm in Hamburg a half dozen times. It won’t come out. It was too tremendous a labor, should have written in installments.
Summary: the Sound Swarm is a rolling loudspeaker orkestra, a loose choreography of bicycles whose together form a distributed mobile sound system to be used for direct action interventions or just ripping a whole in the fabric of everyday life.
Aggregated into sub-swarms according to our tools: ants with megaphones hats, birds with home-made resonant 5-gallon bucket speaker systems, fish with a collection of 80′s boomboxes, and bees with megaphones mounted on tall crutches. Each of these groups was fed a distinct audio channel via four fm transmitters mounted on the queen bee, a type of chariot built from two tall bikes with a cockpit in the center for the sound controller. The queen is armed with so many batteries, cables, gadgets, and antennas that it looked more lunar landing craft than anything for use on this planet. One of the festival curators called it “something from the next century”. We can only hope she is right, that the art of the future will be made from junk, powered by human sweat, and defy the law.
Being in the cockpit had to qualify as one of my personal favorite “performance” experiences, as we rolled off curbs, over cobblestones, through grass, dodging police, sometimes cowering under a plastic sheet during brief rain showers, while controlling five-channels of sound spread across thirty moving speakers in a chaotic mass of hundreds of bicycles pouring through the dark streets of an unfamiliar city.
Like any worthwhile performance, the police department provides the last act with a siren-lights-as-disco-party crescendo. Have a look at this newspaper piece. Later there will be some video of the performance/action. Until then these stills of the preparation.
I give up on trying to describe this more, just want to say thanks to Kampnagel for being a festival willing to take risks, and to this iteration of the Laboratory of Insurrectionary Imagination for being a team solid enough to realize such an idea.
The vacation from being Filastine is about to come to an end. What have I been doing this last month? Mostly looking for an apartment, nothing could be more mundane and un-blogworthy. It’s been a month nearly free of generating anything, leaving time to indulge in the hedonistic pleasure of being a culture consumer. A rare opportunity to read, watch movies, and listen to music than it is to write, edit video, and compose audio. Also more time for local adventures.
I went walking with friends in Cap de Creu where we found some lost hunting dogs, after managing to reunite them with the owner we were invited to their lodge. It was exactly as you’d expect a rural spanish hunting lodge. A long rustic room with a burning hearth consuming half of one entire wall, animal heads, boar tusks, and antler mounted on every vertical surface, bearded men playing cards while smoking and drinking. Hunters are obliged to wear read when in the field, so they were all clothed head to toe in red, with a few fresh animal corpses laying around, well, it was just fucking weird.
I finally explored the water mines of Can Mas Deu, the sprawling eco-squat in the hills above Barcelona. The building dates from the 14th century, but the mines could be older. They consist of narrow tunnels that shoot horizontally into the hill, barely big enough for a human body to squeeze through. Groundwater collects in the tunnel then flows towards the building. Deepest inside, past many strange insects and some calf-deep water pools is a round vertical shaft, basically it’s like being at the bottom of a well, but sealed on the top, and raining underground. Here it was possible to shimmy up the sides ascend to another level of horizontal shafts. It’s a good place for the antisocial.
Urban Barcelona has begun to reveal her charms again, with the return of The Influencers. This year featuring a delegation from New York’s Black Label Bike club, which was a good excuse to trot out the sound swarm equipment. See video.
The big surprise of this year’s festival was definitely James Acord. He’s spent the better part of his 75 years working to make art that includes nuclear material. It’s a story almost too incredible for re-telling.
After the presentation he was told me that, although now he is now marginally surviving via art sales, for many years he worked night shift stacking tater-tots for a burger chain. I consider myself lucky to have escaped so young from the cum cleanup, animal corpse disposal, and taxi driving jobs that have kept me afloat until I moved to europe.
The last post I made here was in the middle of a police raid of the Bike Bloc’s production site, The Candy Factory, sorry for not updating sooner. It’s been impossible.
Disappointed at not finding some bombs or grappling hooks, the police seized one of the double tall bike chariots, inventing a new danish word that translates as “war bike” to describe it as a weapon. They also took some computers & other items. They didn’t find my laptop because it was hidden under a trick seat (pretty sneaky, no?). Lucky we were behind schedule building the Sound Swarm, or they would have invented a danish word for “terror sound bike” as a pretext for sequestering them.
It was late in the evening when they let us re-enter. We went into the overdrive to get our shit done, stumbling around until four in the morning- cutting, wiring, welding in that totally inefficient way that you work when exhausted. Then it was time to pull my computer out of it’s hiding place and deal with the audio rendering & loading the MP3 players, this took until 7:30am, complicated by the constant power failures that would plunge the buildings into darkness.
It was more than a bit creepy being alone editing audio in an big building in total darkness, bundled up in a a puffy survival suit, my exhales creating great plumes of fog, constantly removing the headphones and looking out the windows to make the police weren’t about to burst in again. At 8am I left for our rendezvous in full white-out blizzard conditions.
Then began one of the hardest feats of endurance I’ve personally experienced. Pulling a heavy steel trailer of loudspeakers across Copenhagen, on a crappy discarded 1-speed bike, after a night without sleep, with neither breakfast nor dinner the night before, in a motherfucking blizzard, while we were stopped multiple times by van-loads of riot police to be searched and harassed en route. It was equal parts torture and bliss, as some combination of the snowstorm, the paranoia, physical exertion, and sleeplessness brought on a personal serenity I’ve rarely known.
Many things happened this day, I’ll describe just one. Faced with no other option to arrive at the site of the COP15 (official name of the Climate Summit), the Sound Swarm turned our speakers up to 11 and invaded a highway in a kamikaze mission directly towards our goal. The traffic came to an abrupt snarl behind us and a pair of motorcycle cops came out of nowhere to make a thin blockade. The gap between the concrete divider and the motorcycle was too small, my sound trailer was ripped off and capsized into the roadway.
We were barely free of this first blockade when some riot vans drove at us head-on, disgorging police. It was all slow motion, a lot like being in a car accident. It was also comedic, we were the protagonists of one of those early video games where the player must navigate through an obstacle course filled with zombies. but instead of an 8-bit theme song, we had distorted megaphones. I collided with one of the zombies, uh, I mean police, and was tackled to the ground. Only 2 lives left! and somehow we did get away.
From my narrow perspective the week felt like a fusion of Burning Man, the iditarod (or at least the Idiotarad), and the Seattle WTO. I’ve learned some personal lessons on this trip as well. First: duct tape doesn’t function below freezing, nor do cheap MP3 players, nor do my fingers. Second: never, never, never trust a COP.
In Copenhagen we witnessed the world’s biggest ever collective failure, a failure that demonstrated the obsolescence of the nation-state and our precious economic systems. We also witnessed the birth of a new movement. I went to Copenhagen to do whatever I am physically capable to change the outcomes of this summit, so did about a hundred thousand other people. We were pissed off before the Summit. Now we are livid.
This is the uber-issue, the biggest problem that humanity has ever confronted, it’s bigger than nations, bigger than wars, bigger than AIDS, bigger than the black plague, bigger than capitalism vs socialism, and definitely bigger than those worthless corporations that were all “too big to fail.” Either we keep this planet inhabitable, or is it game over for us & what’s left of earth’s biodiversity. Skeptical? Have a look at some climate models
What does it take to change the way humanity wrecks this planet? Everything. There should be no technique in the toolbox that is off-limits: hunger strikes, green investing, kidnapping, lifestyle changes, petitions, education, art & media, insurrection. If you’ve got a skill than bring it.
We’ve also got to recognize that the burden of responsibility falls on us, that small fraction of the earth’s population that has a plenty to eat, is literate, has a computer, some free time, and some minimum of civil rights. The other 90% are too busy trying to survive. Bad news reader, if you are looking at this or any other blog you are probably disqualified from inaction.
foto: Sound Swarm hatching a plot while hiding in some bushes
versions ENGLISH / ESPAÑOL / FRANÇAIS / BAHASA (please forward, blog, & post)
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URGENT CALL FOR SOUND COMPOSITIONS
On a topic even more urgent: Climate Chaos
Deadline: December 13, 2009
Public Performance: December 16, in the streets of Copenhagen during the Climate Summit, broadcast from the Sound Swarm, a of battery of bicycle-mounted megaphones within the Bike Bloc
Compensation: Air that you can breath & weather that doesn’t kill you
From the 7-18th of December the world’s leaders will be in Copenhagen to decide the conditions of this planet’s future. Given the suspects & their financial backing, it’s nearly impossible we’ll be presented with solutions, far more likely we’ll see further privatization, enclosure, and commodification of the our atmosphere under the alias of carbon trading.
This is your chance to put pressure, speak truth to power, or sonically disrupt, at HIGH VOLUME.
Anything on-topic is welcome: remix the speeches of corporate & government leaders, environmental soundscapes, the sounds of nature or it’s undoing, appropriate collages, home-cooked theme songs, subliminal mob-inflaming drones, advertising jingles of the apocalypse
Submission Details:
1. Composition can be of any duration, but there is no guarantee your composition will be broadcast.
2. The loudspeakers do not reproduce frequencies below 500hz. Use a highpass EQ filter. Also, megaphones respond better to longer sounds than short transients. Translation: no bass, no drums.
3. Please submit 5 dual-mono wave files with equal start times. Use the diagram below for conceptualizing space. If you are technically unable to compose and render for 5 channels, submit it anyhow, if it’s good I’ll make the effort to cut it into multi-channel.
4. Send files via an ftp, usendit.com, sendthisfile.com, or a similar service to this email: filastine.soundswarm@gmail.com
5. Name the files like this:
1RR_title
2R_title
3C_title
4L_title
5LL_title
This is how we’ll try to be arranged in the street, the X’s signify non-sound bikes of the bike block.
(imagine Sarkozy, Wen Jiabao, or Obama here in front of us listening attentively.
or maybe just a load of riot police & TV cameras)
X 5LL X X X X X X X X X X X X X X 1RR X
X X X X X X 4L X X X XX X X 4R X X X X
X X X X X X X X X X 3C X X X X X X X X X X
X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X
(+ another ~ 1000 bikes)
Move fast. We are just about out of time.
Get in touch if you will be in Copenhagen and want to build or pilot one of the Sound Swarm bikes: filastine.soundswarm@gmail.com
Dentro de un tópico aún más urgente: Caos Climático
Fecha límite de entrega: 13 de Diciembre, 2009
Performance público: 16 de Diciembre en las calles de Copenhagen durante la Cumbre del Clima, emitido desde el Enjambre de Sonido, empleando megáfonos instalados en bicicletas dentro del contexto del Bike Bloc.
Compensación: El aire que respires y el clima que no mata.
Del 7 al 18 de Diciembre los líderes del mundo se reunirán en Copenhagen para decidir las condiciones futuras del planeta. Considerando las sospechas y su respaldo financiero, es casi imposible que se nos presenten soluciones, lo más probable es que veamos una privatización adicional, cercamiento, y cosificación de nuestra atmósfera bajo el alias del comercio de carbón.
Esta es tu oportunidad de presionar, encarar la verdad al poder o sónicamente irrumpir A GRAN VOLUMEN.
Bienvenido sea cualquier material dentro del tópico: remezclas de discursos de líderes políticos o corporativos, sonido-paisajes ambientales, sonidos de la naturaleza o de su destrucción, collages apropiados, temas cocinados en casa, zumbidos subliminales que inflamen a las muchedumbres, anunciando tintineos del Apocalipsis.
Detalles para la solicitud:
1. Las composiciones pueden tener cualquier duración, pero no hay garantía de que tu pieza sea emitida.
2. Los altavoces no reproducen frecuencias por debajo de 500 Hz. Usar un highpass EQ filtro. También, los megáfonos responden mejor a sonidos más largos que cortos. Traducción: ningún bajo, nada de tambores.
3. Os rogamos presentar 5 archivos de onda mono-duales con tiempos de inicio iguales. Emplead el diagrama de abajo para conceptualizar el espacio. Si eres técnicamente incapaz de componer y renderizar para 5 canales, preséntalo igualmente, si esta bien haré el esfuerzo para cortarlo en varios canales yo mismo.
4. Enviad los archivos via ftp, usendit.com, sendthisfile.com, o un servicio similar a este email: filastine.soundswarm@gmail.com
5. Nombrad los archivos de la siguiente manera:
1RR_titulo
2R_titulo
3C_titulo
4L_titulo
5LL_titulo
Así es como intentaremos arreglarlo en la calle, la X significa las bicicletas sin sonido dentro del bloque de bicicletas.
( Imaginad a Sarkozy, Wen Jiabao u Obama frente a nosotros escuchando aténtamente o quizás ante
una carga de policía antidisturbios y cámaras de TV )
X 5LL X X X X X X X X X X X X X X 1RR X
X X X X X X 4L X X X XX X X 4R X X X X
X X X X X X X X X X 3C X X X X X X X X X X
X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X
(+ otras ~ 1000 bicicletas)
Moveos rápido. Estamos casi fuera de tiempo.
Contactad si váis a estar en Copenhagen y queréis construir o pilotar una de las bicicletas en la Cumbre del Clima: filastine.soundswarm@gmail.com
Sur un sujet encore plus urgent: LE CHAOS CLIMATIQUE
Date limite: 13 décembre 2009 Performance publique: 16 décembre, dans les rues de Copenhagen pendant le Sommet Climatique, retransmis depuis le Sound Swarm, une batterie de vélos armés de mégaphones au sein du a Bike Bloc Compensation: De l’air à respirer et du temps qui ne tue pas Dirigé par:Filastine
Du 7 au 18 décembre les dirigeants mondiaux seront à Copenhagen pour décider des conditions du futur de cette planète. Au vu des suspects et de leur appui financier, il est pratiquement impossible qu’on se verra proposer des solutions, de facon plus probable on assistera a encore plus de privatisation, plus de clôtures, et une commodification de notre amosphere sous couvert de l’alias “marché carbone”
C’est votre chance de faire pression, de dire la vérité au pouvoir, ou d’interférer, HAUT ET FORT.
Tout ce qui touche au sujet est bien venu: remix des discours de dirigeants politiques et industriels, paysages sonores environnementaux, le son de la nature ou de sa disparition, collages appropriés, chansons thématiques cuisinées à la maison, bourdonnements galvanisants subliminaux, jingles de pub de l’apocalypse..
Détails pour la soumission: 1. Les compostions peuvent etre de n’importe quelle durée, mais il n’y a aucune garantie que votre composition soit retransmise 2. Les hauts parleurs ne reproduisent pas les fréquences en dessous de 500hz. Utilisez des filtres passants EQ. Aussi, les mégaphones répondent mieux au sons plus longs qu’aux passages courts. Traduction: pas de basses, pas de batteries. 3. Merci de soumettre 5 fichiers wav dual-mono avec des temps de démarrage égaux. Utiliser le diagramme plus bas pour conceptualiser l’espace. Si vous etes dans l’incapacité technique de composer et de restituer 5 canaux, soumettez quand même, si c’est bon je ferai l’effort de le couper en multicanaux. 4. Envoyer les fichiers via un serveur ftp, usendit.com, sendthisfile.com, ou similaire à cet email: filastine.soundswarm@gmail.com 5. Nommer les fichiers comme suit:
1RR_titre
2R_titre
3C_titre
4L_titre
5LL_titre
Voici comment nous essaierons de nous organiser dans la rue, les X représentent des vélos non-amplifiés.
(imaginez ici Sarkozy, Wen Jiabao, ou Obama, en face de nous à écouter attentivement,
ou peut-être juste des policiers anti-émeute et des caméras de tv)
X 5LL X X X X X X X X X X X X X X 1RR X
X X X X X X 4L X X X XX X X 4R X X X X
X X X X X X X X X X 3C X X X X X X X X X X
X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X
(+ encore ~ 1000 vélos)
Bougez vite. on n’a presque plus de temps
Si vous etes à Copenhagen et que vous voulez construire ou piloter un vélo du Sound Swarm, contactez: filastine.soundswarm@gmail.com
Pertunjukan Publik: 16 Desember, di beberapa jalan di Kopenhagen menjelang the Climate Summit, dipancarkan dari the Sound Swarm, megafon yang dipasang pada sepeda dianatara rangkaian the Bike Bloc
Kompensasi: Udara yang kamu hirup dan cuaca yang tidak akan membunuhmu
Mulai tanggal 7-18 Desember, para pemimpin dunia akan berada di Kopenhagen sebagai penentu kondisi masa depan planet ini. Atas dasar prasangka dan kondisi finansial mereka, penemuan solusi adalah hal yang hampir tidak mungkin, lebih banyak privatisasi, pengurungan dan komodifikasi atmosfer kita atau dengan kata lain pertukaran karbon.
Ini kesempatanmu untuk memberikan tekanan, berbicara kenyataan pada kekuasaan, atau secara sonik menciptakan gangguan pada VOLUME TINGGI.
Apapun yang se-topik akan diterima: remix dari pidato para pemimpin korporasi dan pemerintah, soundscape yang berkenaan dengan lingkungan, suara alam dan perusakannya, kolase yang cocok, lagu tema buatan sendiri, dengung/suara menyebalkan yang sangat menggangu, jingle iklan kehancuran dunia
Detail Pengumpulan:
1. Komposisi berdurasi terserah, tidak dijamin komposisimu akan dipancarkan.
2. Pengeras suara tidak menghasilkan frekuensi di bawah 500hz. Gunakan highpass EQ filter. Juga, megafon merespon lebih baik pada suara yang lebih panjang daripada transien yang pendek. Translasi: tanpa bass, tanpa drum.
3. Dimohon mengumpulkan 5 dual-mono wave files dengan awal yang sama. Gunakanlah diagram dibawah ini untuk mengkonsep ruangan. Jika kamu secara teknis kurang bisa mengkomposisi atau merender 5 channel, kumpulkan saja, jika bagus saya akan berusaha menjadikannya multi-channel.